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By Melissa Boyde (eds.)
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Extra resources for Captured: The Animal Within Culture
Acampora, in his critique of this artificiality, proposes that the animal in a zoo approximates a simulacrum, the ‘real fake’ (105): ‘Perhaps the ultimate creature of naturalized presentation is an artifact of somatological hyper-reality, a disembodied entity reincarnated as a nicer replica of its former self’ (105). Most visitors are unaware of this fracturing of the animal beings; as Rothfels points out ‘there is an escapable difference between what an animal is and what people think an animal is’ (5).
They don’t want animals running free’ (281). Hus is adamant that the giraffes could have been dipped in a solution and thus cleansed of contagion. ’ Emil asks (281). But the renewal of their lives after being baptised is not to be, for they are martyred to the imperative for state secrecy. Tadeas, a virologist, informs Emil of the infectiousness of the giraffes’ contagion and the vulnerability of all even-toed ungulates, which includes camels, cows and sheep. Emil denies the imperative of international law to report the infection, justifying that ‘National security is above the law’ (239).
For the British traders the combination of the rise of Imperial Germany and the widespread adoption of the Suez Canal was a fatal double blow (Hagenbeck). 34 John Simons However, for the central fifty years of the nineteenth century a combination of general Imperial strength and diversity and the strategic position of London and Liverpool on the global trade routes gave Britain pre-eminence, and we can look at the cases of Australia and India where Britain had a monopoly position (unlike in Africa or the Americas) to see how specific colonial and imperial conditions enabled the exotic animal trade to develop in Britain’s favour.
Captured: The Animal Within Culture by Melissa Boyde (eds.)