Download e-book for iPad: Blood on the Stage, 1950-1975: Milestone Plays of Crime, by Amnon Kabatchnik
By Amnon Kabatchnik
In Blood at the degree, 1950-1975: Milestone performs of Crime, secret, and Detection: An Annotated Repertoire, writer Amnon Kabatchnik keeps the point of interest of his earlier volumes (1900-1925 and 1925-1950) and gives an summary of an important and remarkable theatrical works of crime and detection of this era. Addressing the advance of this style within the valid theatre, Kabatchnik discusses greater than a hundred and twenty full-length performs produced among 1950 and 1975.
Arranged in chronological order, the productions stated are all works of putting up with value, pioneering contributions, singular techniques, and impressive luck. a number of the such a lot impressive playwrights of the period are represented, together with Horton Foote, Bertolt Brecht, Arthur Miller, Frederick Knott, Joe Orton, Anthony Shaffer, Peter Shaffer, and Agatha Christie. all of the performs featured revolves round homicide, robbery, chicanery, kidnapping, political intrigue, or espionage. every one access incorporates a plot synopsis, creation information, and the reviews of renowned and revered critics and scholars.
The performs during this period contain mental thrillers and baffling whodunits, between them such memorable works as Anastasia, Dial 'M' for Murder, The Mousetrap, The Crucible, Witness for the Prosecution, The determined Hours, Sleuth, and Equus
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Extra info for Blood on the Stage, 1950-1975: Milestone Plays of Crime, Mystery and Detection
Jo Swerling received an Academy Award nomination for his screenplay of The Pride of the Yankees (1942). Abe Burrows and Frank Loesser shared a Pulitzer Prize for How to Succeed in Business without Really Trying (1961). Loesser was awarded a Grammy Award that year for Best Original Album of the show. Frank Loesser garnered the Academy Award for his song “Baby, It’s Cold Outside” from the MGM picture Neptune’s Daughter (1949). He was nominated four more times for Best Music, Original Song, including “Thumbelina” from the film Hans Christian Anderson (1952).
A scuffle ensues, during which Billy wrestles the weapon from Jenkins. Saved by Billy, Claggart simmers even more and tells Captain Vere that “the sweet, vicious lad is dangerous . . ” Vere, doubtful of the accusation, orders an inquiry. The master-at-arms denounces Billy to his face for “acting against this ship, this Service, and the King,” threatening the officers with murder, and bent on urging other men to mutiny. Shocked, Billy tries to respond, but an impediment in his speech yields only incoherent sounds.
5. Daily Mirror, November 25, 1950. 6. New York World-Telegram, November 25, 1950. 7. George Simon Kaufman, renowned playwright and director, teamed with Marc Connelly, Edna Ferber, Ring Lardner, Morrie Ryskin, and Moss Hart, among others, to pen, produce, and stage some of America’s most enduring comedies: Merton of the Movies (1922), Beggar on Horseback (1924), The Royal Family (1927), June Moon (1929), Once in a Lifetime (1930), Dinner at Eight (1932), Stage Door (1936), You Can’t Take It with You (1936), and The Man Who Came to Dinner (1939)— all transferred to the silver screen.
Blood on the Stage, 1950-1975: Milestone Plays of Crime, Mystery and Detection by Amnon Kabatchnik