Avant-Garde Performance and Material Exchange: Vectors of by M. Sell PDF
By M. Sell
Assembling a impressive staff of students, those essays explore how the flow and alternate of "vectors of the novel" form the avant-garde. Mapping the circulate of scripts, theatre activists, performances, and different fabric entities, they supply exceptional views at the transnational functionality tradition of the avant-garde.
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Extra info for Avant-Garde Performance and Material Exchange: Vectors of the Radical (Performance Interventions)
Interpenetration of human and environment. Emulation of the cinema and music hall. indd 23 10/28/2010 6:09:45 PM 24 Intersections Futurist performance, and the pieces described above represent diverse manifestations of the Futurist experiment. The first, Giacomo Balla’s 1914 Macchina Tipografica, was the painter’s first attempt at theatrical production. An embodiment of early Futurist machine idolatry, its goal was the human imitation of a modern machine. ”2 The third is La Chatte, created by Diaghilev’s Ballets Russes in 1927.
Gerhard Richter, Introduction, Benjamin’s Ghosts: Interventions in Contemporary Literary and Cultural Theory, ed. Richter (Palo Alto: Stanford University Press, 2002), 1. 57. Walter Benjamin, “The Work of Art in the Age of Mechanical Reproduction,” Illuminations, ed. Hannah Arendt, trans. Harry Zohn (New York: Schocken Books, 1968 and 1988), 241. 58. , 242. 59. See Peter Bürger’s exclusion of Futurism from his Theory of the Avant-Garde (Minneapolis: University of Minnesota Press, 1984). indd 39 10/28/2010 6:09:48 PM 40 60.
This attribution is a rather odd moment in the essay since it is based upon Benjamin’s critique in “The Work of Art in the Age of Mechanical Reproduction” not of Futurism per se but of Filippo Marinetti’s manifesto in praise of the Italian fascists’ colonial enterprise in the Second Italo-Abyssinian War – the war that Benjamin refers to as the “Ethiopian colonial War,”5 the war in which Marinetti fought as an armed fascist volunteer. Although the Ethiopians never surrendered, the victors and the vanquished in this war were clear: Haile Selassie was driven into exile and the Italian fascists imposed a brutal colonial regime.
Avant-Garde Performance and Material Exchange: Vectors of the Radical (Performance Interventions) by M. Sell