Read e-book online And Then, You Act: Making Art in an Unpredictable World PDF
By Anne Bogart
From recognized auteur of the yank theatre scene, Anne Bogart, And Then, You Act is an interesting and available e-book approximately directing theatre, appearing and the collaborative inventive process.
Writing sincerely and passionately, Bogart speaks to a large viewers, from undergraduates to practitioners, and makes a useful contribution to the sector tackling subject matters such as:
- why theatre matters.
Following on from her winning booklet A Director Prepares, which has develop into a key textual content for educating directing periods, And Then, You Act is a vital practitioner and scholar resource.
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Extra resources for And Then, You Act: Making Art in an Unpredictable World
What are you tempting? On the very first day of all of her acting classes, the eminent actor and acting teacher Stella Adler told a story. She described how on vacation in Florida, at a swimming pool, she watched a man try to persuade his young daughter to jump off the diving board into the water. The little girl trembled at the edge of what seemed a great precipice as her father repeatedly encouraged her to make the leap. ” the father shouted. ” At this point, Stella Adler turns to her class of aspiring actors and says, “Isn’t that what we are all doing?
The truck, the container, the metaphor, or the carrier, transports the meaning. In the theater, we use metaphor to articulate what is most difficult to express or painful to realize. During a solar eclipse when you want to look at the sun, knowing that staring directly at it will ruin your eyes, you use a piece of cardboard to protect the safety of your eyes and watch the reflection of the event on the cardboard. A metaphor functions in this manner. It allows us to look at intense issues without burning our eyes.
I did not need to move to Saratoga Springs and wait for my audience to arrive; rather, every audience can be my audience, and I am speaking to a very specific part each person. An audience quickly senses the intentions of the creators. An invitation is issued early on in a production, and audiences are free to accept or reject. They sense which part of their experience is being addressed and what part of their brain and imagination is meant to play along. In rehearsal, the director’s job is to be the actors’ very first audience.
And Then, You Act: Making Art in an Unpredictable World by Anne Bogart