Zander Brietzke's American Drama in the Age of Film PDF

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By Zander Brietzke

ISBN-10: 0817315713

ISBN-13: 9780817315719

Is theater particularly lifeless? Does the theater, as its champions insist, quite offer a extra intimate adventure than movie? if this is the case, how have alterations in cinematic concepts and applied sciences altered the connection among level and picture? What are the inherent obstacles of representing 3-dimensional areas in a two-dimensional one, and vice versa?
American Drama within the Age of Film examines the strengths and weaknesses of either the dramatic and cinematic arts to confront the traditional arguments within the film-versus-theater debate. utilizing widely recognized diversifications of ten significant performs, Brietzke seeks to focus on the inherent powers of every medium and draw conclusions not only approximately how they fluctuate, yet how they must fluctuate to boot. He contrasts either level and picture productions of, between different works, David Mamet’s Glengarry Glen Ross, Sam Shepard’s True West, Edward Albee’s Who’s frightened of Virginia Woolf, Margaret Edson’s Wit, Tony Kushner’s Angels in America, Tennessee Williams’s Cat on a scorching Tin Roof, Arthur Miller’s Death of a Salesman, and August Wilson’s The Piano Lesson. In interpreting the twin productions of those works, Brietzke reveals that cinema has certainly stolen a lot of theater’s former thunder, by way of making drama extra intimate, and visceral than such a lot reside occasions.
But theater remains to be important and issues tremendously, Brietzke argues, even though for purposes that run counter to some of the virtues routinely attributed to it as an artwork shape, resembling intimacy and spontaneity. Brietzke seeks to revitalize perceptions of theater via difficult these universal pieties and providing a brand new serious paradigm, one who champions spectacle and simultaneity because the so much, no longer least, very important parts of drama.

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He points out the fact that most fans watch concerts and see sports by craning up to the JumboTron, which magnifies the live performance and offers a much better view of the performers than the naked eye alone permits. Auslander also observes a historical change in how the music industry promotes its performers. Formerly, it booked concert tours 8 / Chapter 1 and live performances to boost record sales. Now, more and more, producers orchestrate live performances to duplicate the studio sound of recorded music.

On the one hand, I sat in what could almost have been a separate area code from the actual performance onstage. On the other hand, and in both ears, the sound nearly drove me out of my seat. The sheer amount of mixers and amplifiers and other stuff that technicians use to make things happen at a Broadway theater is definitely impressive, but still it does make me wonder: how live is the live performance I’m paying a premium price to see? By far, though, the greatest threat to the theater comes from film and television.

She argues, “Performance honors the idea that a limited number of people in a specific time/space frame can have an experience of value which leaves no visible trace afterward. . Performance’s independence from mass reproduction, technologically, economically, and linguistically, is its greatest strength” (149). Phelan’s prejudice against written texts echoes Antonin Artaud’s “No More Masterpieces” and his conviction that “the theater is the only place in the world where a gesture, once made, can never be made the same way twice” (75).

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American Drama in the Age of Film by Zander Brietzke

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