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By Elizabeth Chapman Hoult (auth.)
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Extra info for Adult Learning and la Recherche Féminine: Reading Resilience and Hélène Cixous
She is painfully aware that she exists in uneasy exile and that she is distanced from her class but not acceptable in the new arena. Her position as an exile terrifies her. “I am a child in your country. ”55 She has a sense of dignity that both provides her with resilience and is the cause of her struggle. Her life, however, is made much more difficult because of her refusal to become the barely animate material that Higgins would prefer to work with. 4. She is open to using language without boundaries.
When he finally takes the statue from its pedestal and lays it down, he puts it on purple cushions that contrast with its white limbs, which themselves echo the snowwhite necks of the heifers about to be slaughtered in sacrifice to Venus. This animation has a sense of death about it. ”25 In this sense, he succumbs to the truth that his creation is inherently shameful and an offence against either the gods or nature, and he reluctantly settles for imperfection. After Venus grants him his wish, the moment of awakening is a second act of sculpture, of transforming one shape into another through the medium of sex: He pressed his lips to hers once again; and then he started to stroke her breasts.
He is astounded by the rawness of his love, and he provides an invisible garment of modesty for the statue—his rather than hers—to protect him from what is so immediate and so perfect. Pygmalion tries to dress the statue in order to help him come to terms with its power. With the devotional practice of a worshiper, he adds garments and decoration to the statue, as if its perfection is too much and he needs, somehow, to cover it up. But his artifice doesn’t protect him. So he divests the statue and is dazzled by the sight of its naked body.
Adult Learning and la Recherche Féminine: Reading Resilience and Hélène Cixous by Elizabeth Chapman Hoult (auth.)